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They achieved the impossible by creating magnificent multilayered cameo glass pieces-some comprising up to 12 layers. They created the best cameo ever made.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMore importantly, these magnificent works of art were produced in the city of Huntington, West Virginia. Many of the pieces capture the beauty of the hills, valleys, and wildlife of one of the most beautiful states in America.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe objects in this book were collected by Dr. Joseph B. Touma, MD, and were donated to several museums and Marshall University's Drinko Library in tribute to the hard work and superb artistic achievement of Kelsey and her team at Pilgrim. 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Author and docent, Suzanne Alexander, brings together a spectacular variety of fine art that entertains, educates, and inspires all of us to appreciate the many different kinds of art in our world. And for some, to encourage them to try their own hand at creating beautiful works of art!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Huntington Museum of Art is a fine arts museum nestled on 52 acres with nature trails and a tropical plant conservatory. HMA has permanent art exhibits of Near Eastern art and artifacts, antique firearms, and Ohio Valley glassware. 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As the centuries passed, glassmakers became very skilled in their mastery of this fiery material, and by the time of the Roman Empire, the ability to fuse together layers of colored glass to form the walls of a vessel offered the opportunity to carve sophisticated surface designs on these objects. This type of glass, known as cameo glass, was prized for its beauty and rarity, and is epitomized by the famous Portland Vase, a Roman example that is now in the British Museum. As the modern era approached, the incredible difficulty of making the multilayered glass blanks and the labor-intensive process required to carve and etch this fragile material discouraged most manufacturers from pursuing it, and although it was revived for a period in the 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentury, the technique lay dormant for most of the 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentury.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 1980s, Kelsey Murphy was working as a graphic designer and sign painter in Cincinnati, when she began to experiment with the use of sandblasting apparatus to etch flat glass. After she achieved success in the elementary phases of this technique, she delved further into the glass decorating process, and with her partner, Robert Bomkamp (a former machinist in the aerospace industry), developed the ability to do highly detailed relief carvings in glass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeeking to move beyond flat glass, the team sought out a supplier of glass vessels, and that led them to Pilgrim Glass Corporation in Ceredo, West Virginia. This fortuitous meeting was quickly followed by a business agreement with Pilgrim and extensive experimentation with smaller items such as Pilgrim’s line of solid glass eggs. By 1986 they had graduated to far more sophisticated work, including the creation of a stunning cameo vase that portrayed the Statue of Liberty, a gift to Lee Iacocca for his work in the iconic statue’s restoration campaign. By this time, Pilgrim was completely sold on the potential of the new line, and in 1987 Kelsey and Bob moved to West Virginia to oversee the design and production of an extensive array of cameo glass for the company. The skilled glassblowers at Pilgrim were able to move from producing blanks with two layers of glass to the rarified territory of vessels with ten layers or more.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSadly, this partnership came to an end when market conditions forced the closure of the Pilgrim factory in 2002. Among the legacies left behind were a number of uncarved cameo blanks, many of which were\u003cbr data-mce-fragment=\"1\"\u003eeventually acquired by Kelsey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough the patronage of Dr. Joseph Touma, who commissioned these pieces, Kelsey has produced a series of works from among the last of the remaining blanks that consist of five layers of glass or more. Decorated with scenes derived from nature, mythology, human figure studies and even local landmarks and townscapes, the works are stunning displays of the designers’ work as well as a tribute to the local craftsmen whose skill in blowing the vessels made it all possible. These objects join a smaller display of Pilgrim cameo pieces in the HMA Glass Gallery (gifts of Dr. Touma and his wife, Dr. Omayma Touma) to showcase the remarkably exuberant glass creations that sprang from this West Virginia-based venture.\u003c\/p\u003e","brand":"910 HMA Books","offers":[{"title":"Default Title","offer_id":43019998298299,"sku":"","price":55.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0513\/4198\/3931\/products\/20220823_182813.jpg?v=1661294584"},{"product_id":"american-masters","title":"20th Century American Masters","description":"\u003cp data-mce-fragment=\"1\"\u003eAmerica was a changed nation by the time peace treaties were signed to end World War II. The successful military, technological and industrial accomplishments that were achieved during the war elevated the nation to a place of unprecedented international prominence. 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From the 1970s to the end of the century, artists such as Jim Dine, Keith Haring, Chuck Close and John Baldessari pushed the boundaries of painting and printmaking. The successful emergence of American women artists during the latter half of the century can be seen in works by Judy Pfaff, Alice Neel, Kiki Smith, Lee Bontecou, Miriam Schapiro, Marisol and Carrie Mae Weems. Innovative sculpture by Alexander Calder, Harvey Littleton, Beverly Pepper and Harry Bertoia will also be on view. Thanks to the sponsorship of the Richard C. von Hess Foundation, the exhibition will be accompanied by a full-color catalogue\u003cbr data-mce-fragment=\"1\"\u003eof the works in the show.\u003c\/p\u003e","brand":"910 HMA Books","offers":[{"title":"Default Title","offer_id":43019998331067,"sku":"","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0513\/4198\/3931\/products\/20220823_113530.jpg?v=1661293201"},{"product_id":"huntington-museum-of-art-fifty-years-of-collecting","title":"Huntington Museum of Art: Fifty Years of Collecting","description":"\u003cdiv\u003e\"As the first comprehensive publication of this museum's finest artworks, its appearance for the museum's fiftieth anniversary is apt and valued for many reasons.\" \u003cem\u003eHuntington Museum of Art: Fifty Years of Collecting \u003c\/em\u003e﻿acts as a catalogue and in depth insight into the collection of paintings that were gifted to the museum by Isabelle Gwynn Pugh Daine. The book includes descriptions of each piece, histories of each artist, and the stories of how the works came to be in the Huntington Museum of Art. \u003c\/div\u003e\n\u003cul data-mce-fragment=\"1\" class=\"a-unordered-list a-nostyle a-vertical a-spacing-none detail-bullet-list\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-list-item\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-text-bold\"\u003eISBN-10 ‏ : ‎\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e0965388824\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-list-item\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-text-bold\"\u003eISBN-13 ‏ : ‎\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e978-0965388825\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"910 HMA Books","offers":[{"title":"Default Title","offer_id":43019998658747,"sku":"53900","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0513\/4198\/3931\/products\/20220823_135957.jpg?v=1661292877"},{"product_id":"on-brewsters-creek-by-geoff-k-fleming","title":"On Brewster's Creek by Geoff K. 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Huntington Museum of Art, Huntington, WV., Gift of Ruth Woods Dayton, 1967.1.264.\u003c\/p\u003e\n\u003cp\u003e4\" x 6\" Postcard\u003cbr\u003e\u003c\/p\u003e","brand":"999 Museum Store Products","offers":[{"title":"Default Title","offer_id":43834312622267,"sku":"999-008","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0513\/4198\/3931\/products\/whistler.png?v=1667848213"},{"product_id":"daywood-collection-postcard-set-6-postcards","title":"Daywood Collection Postcard Set - 6 Postcards","description":"\u003cp\u003eBetween 1916 and 1965, Philippi, West Virginia, natives Arthur Spencer Dayton (1887-1948) and Ruth Woods Dayton (1894-1978) carefully developed a superb collection of American and European paintings, prints, sculpture, and decorative arts that speaks to their personal philosophy of beauty in art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe couple began seriously building their collection during their years in Charleston (1923-1948). They purchased works from art galleries and, over the years, built a special relationship with MacBeth Gallery in New York City. They also bought from auctions, from prestigious exhibitions such as the Carnegie International, and purchased works directly from the studios of artists whom they admired – both in the United States and abroad. The Daytons bought what they liked and what they could afford. They also kept a detailed and valuable record of where and when objects were acquired.\u003c\/p\u003e\n\u003cp\u003e6 - 4\" x 6\" Postcards\u003c\/p\u003e\n\u003cp\u003eThey were well read on the history of art, especially 19\u003csup\u003eth \u003c\/sup\u003eand 20\u003csup\u003eth\u003c\/sup\u003e century American artists, sharing a love of landscapes. The strength of their collection lies in academically trained artists working in the various schools of realism and American impressionism, including masterpieces by Childe Hassam, J. Alden Weir, Emil Carlsen, John Twachtman, Willard Metcalf, Frank Benson, Charles Davis and works by “The Eight.” Early American modernists and the ideals expressed by those artworks were of little interest.\u003c\/p\u003e\n\u003cp\u003eIn 1929, Ruth purchased from MacBeth Gallery an etching titled \u003cem\u003eCalvary Church in Snow\u003c\/em\u003e by Childe Hassam and gave it to Arthur as a Christmas gift. Thus began a collection of engravings, etchings, and lithographs by a literal “who’s who” of American and European printmakers. The Daytons also had a penchant for small bronzes, especially by women artists working in the late 19\u003csup\u003eth \u003c\/sup\u003eand early 20\u003csup\u003eth\u003c\/sup\u003e centuries, including Grace Helen Talbot, Harriet Frishmuth, Anna Hyatt Huntington, and Edith Parsons. A small collection of Lacy period glass was also part of the collection.\u003c\/p\u003e\n\u003cp\u003eIn May 1948, Arthur Dayton died suddenly at the age of sixty-one. 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